FREE GAME FROM A LAWYER FOR CREATIVES

FREE GAME FROM A LAWYER FOR CREATIVES
FREE GAME FROM A LAWYER FOR CREATIVES

In the 1930s, Italian fashion designer Elsa Schiaparelli, the great provocateur of couture, crossed paths with Salvador Dalí. What they shared was a kind of cosmic understanding—an unspoken agreement that life, at its best, is utterly absurd, and ought to be treated as such. Dalí was already well on his way to becoming a household name. He’d conquered Paris, London, and New York’s Museum of Modern Art with his lurid, dreamlike visions, and it was clear he wasn’t interested in simply existing; he wanted to distort, transmute, and electrify. Schiaparelli, whose fashion house thrived through the 1930s and ’40s, became the perfect accomplice. Their collaboration in 1937 produced the now-legendary Lobster Dress—Dalí’s bright scarlet crustacean sprawled shamelessly across Schiaparelli’s delicate silk organza, the kind of garment that didn’t simply dress a woman but transformed her into a walking, breathing work of art.

 

Fast forward eighty-odd years, and it’s as though every major fashion house has taken a page from their book. Today, collaborations between fashion designers and artists are not just common—they’re expected. Warhol, Basquiat, Emin, and Hirst, each with their distinct visual lexicons, have splashed their DNA all over the glossier canvases of high fashion. Designers like Kim Jones at Dior step into the spotlight alongside contemporary artists—KAWS, Daniel Arsham, Hajime Sorayama, and Amoako Boafo—inviting them to leave their imprint on the season’s collection.

 

Behind every successful collaboration is a contract that addresses the ins and outs of the relationship. Here are some of the most common issues in these deals, based on 20 years of experience:

 

Who Owns What? The Intellectual Property Puzzle Intellectual Property

(IP) is the most valuable asset for both artists and fashion brands. For artists, it’s the copyright in their artwork. For brands, it’s the trademark for their logo. It’s not surprising, then, that the biggest question in any artist-fashion brand collaboration is often about IP ownership. When Takashi Murakami splashed his signature cartoon-like flowers all over Louis Vuitton bags in the early 2000s, Murakami retained his IP rights in his artworks, allowing the brand to use his work under a license for a set time and specific purpose. While this IP retention is standard, brands often push for more control, especially when they’re investing significantly in production and marketing. These negotiations usually allow the artist to retain their pre-existing IP, with the brand owning its IP and any new IP created through the collaboration.

 

Licensing: The Fine Print on Usage

A collaboration without a clear licensing agreement is like a dress without a hem—unraveling before it even starts. The artist typically grants the brand a license to use their work, but that comes with limits. For example, when Keith Haring’s vibrant graphics appeared on Vivienne Westwood’s pieces in the early 1980s, the licensing agreement addressed which items could feature his designs and for how long. The artist and brand need to agree on everything: how the designs are used, for which products, and in which regions. If the collaboration is meant to be global, the stakes—and the legal complexities—get even higher. Any ambiguities can create concerns for both sides: the artist may be entering into a license that goes on indefinitely, or the brand may be unable to use the artist’s work in the manner and on the products it desires. If it’s important to the brand or artist, the words on the page need to reflect that point.

 

The Money Side: Upfront vs. Royalties

Every artist wants to be fairly compensated for lending their work to a brand. Take Jeff Koons’ 2017 partnership with Louis Vuitton, where his renditions of classic art turned into luxury bags. Did he get a big check upfront, or was he betting on royalties as those bags were sold worldwide? That all depends on the contract. In all cases, the artist will get a guaranteed fee. Sometimes, however, a brand will bake certain milestones into the agreement that trigger a payment of a royalty to the artist. For example, the artist and brand might agree that if the brand sells $1 million worth of products from the collaboration, the artist receives a 5% royalty. That way, if the collaboration is the next big thing, the artist is compensated in a way that accounts for the success. It also incentivizes the artist to enthusiastically market the collaboration across their networks. Practical tip: both sides need to define what “royalty” actually means; is it based on sales, profits, or something else? The devil is almost always in the details.

 

Trademarks: A Question of Identity

When brands and artists join forces, they need to decide whose name shines brightest. Will the artist’s signature be as prominent as the brand’s logo? In the Supreme x Basquiat collaboration, the Supreme branding remained front and center, but Basquiat’s distinctive art gave the collection its edge. An agreement like this lays out exactly how both parties’ names and visuals would coexist, protecting each brand’s identity.

 

Keeping Secrets: Confidentiality Matters

Before the world sees those flashy campaign images, there’s a lot of secrecy involved. That’s where non-disclosure agreements (NDAs) come in. When Daniel Arsham and Hublot teamed up to make a new watch, NDAs helped to keep designs under wraps. This ensures no one leaks a sketch or makes a TikTok about the product before the launch date.

 

Creative Control: Finding the Balance

Artists and creative directors in fashion obviously have very strong visions for their work. So when they collaborate, who gets the final say on designs? When Damien Hirst created his spot paintings for Levi’s in 2008, did he have to approve each pair of jeans, or did Levi’s have some freedom to tweak as they saw necessary? Often, the artist wants to maintain as much control as possible to ensure the artwork is not mistreated, but a brand also has an interest in ensuring that the artwork is properly adapted for production or commercial reasons. The best way to resolve this is to be open and transparent about what is most important to each side—and ensure those points appear in the agreement.

 

Communication Breakdown: How Much is Too Much?

Over the past decade, these collaboration deals include terms that map out the artist’s obligation to post and promote the collaboration. How much? How often? On what channels? It’s also becoming more common for the parties to agree on post language before the deal is even signed. Brands beware: if you don’t address this in the agreement, then the artist has no obligation to post anything at all.

 

Breaking Up: Termination and Morals Clauses

What if things go south or somebody does something stupid? There’s always a risk, so a good contract will outline how either party can walk away. The most common reason for termination (other than the planned end of the collaboration) is a breach of the agreement. For example, if Louis Vuitton stopped paying Virgil Abloh’s fee under their contract, Virgil would probably have the right to stop working on the products. On the other hand, if Virgil failed to deliver work required under the agreement, LV might have the option of not paying him altogether. Nowadays, these kinds of contracts also include morals clauses, which allow a party to end the contract if the other side does something immoral or illegal (even unrelated to the contract—think about John Galliano and Dior).

 

Staying Faithful: Exclusivity Clauses

Finally, there’s the question of loyalty. Does the artist promise not to work with any other fashion brands for a while? When Yayoi Kusama brought her polka dots to Louis Vuitton, LV’s team likely made sure that we weren’t going to see the same dots on a Prada bag the next season. Exclusivity is about protecting the brand’s investment and keeping the collaboration unique. An artist may also want the brand to promise that it won’t work with a similar artist for some time to increase the value of the project for the artist. All of this needs to be addressed in the agreement. If either side wants exclusivity but fails to ask for it, no exclusivity exists.

 

The best artist-fashion collaborations feel effortless, but behind that seamless blend of creativity is a whole lot of legal work. Every stitch, every logo placement, every post has been carefully negotiated. And that’s the paradox of these partnerships—they’re about freedom of expression but grounded in some of the strictest rules around. When they get it right, though, it’s not just a contract—it’s a masterpiece.